Author: Paul Mroczka

Why Broadway?

by Paul Mroczka

Please see guest author Coni Koepfinger’s bio below

Why Broadway? The term “Broadway” originated because of the street’s uncommon width. However, it has become synonymous with professional theatre. Here artists creating new works can reach the widest and most diverse audiences. Imagine, a playwright, an actor, a director, or a producer, having so much faith in what they are doing that they collectively labor, often without regular compensation, to bring their work to life. All with the goal of seeing it on a Broadway stage. We know it costs a lot to get a show produced on Broadway and ticket prices aren’t exactly pocket change. So let us ask… Why Broadway? What draws so many people to this avenue in Manhattan?

Why Broadway – An Artist’s Point of View

Playwright, lyricist, and composer, Sharon Barnett, whose work includes Sammy’s Bowery Follies, exclaims, “I love Broadway! From an early age, I would walk down its streets and dream. I imagined my name in lights and myself on the stage taking bows. For the last 18 months, nobody knew if we would ever see those lights shining brightly again, but yesterday, on September 14, 2021, the bows and the applause were back. Now dreams, once again, are becoming a magnificent reality.”

Broadway – Another View

Let’s look at the other side of the curtain concerning Why Broadway? Here’s the view of someone from the audience.

“It is important to be passionate about SOMETHING and I have been passionate about BROADWAY since my English teacher, Mrs. Sarah Gold, took our high school class to see The Most Happy Fella in 1957,” proclaims Robert Diamant, social studies teacher and assistant principal at New York City’s Dept. of Education. “I have been fortunate to reside in NYC since 1942 and have attended hundreds of musicals, comedies and dramas over the years. My passion about this genre has included collecting original cast albums, posters, refrigerator magnets, and t-shirts. I have written grants allowing me to take my high school students to Off-Broadway and Broadway shows. I have joined many online groups and have communicated with like-minded individuals over the years. I have collected scores of books and magazines covering Broadway, historically and currently. I cannot wait to start going to the theater again! THAT is what BROADWAY means to this almost 80-year-old!”

In the Beginning to Why Broadway?

Another Broadway fan, Teri Wessell shares her feelings about it. Definitively describing the experience, she observes, “Being fully engaged, enlightened, entertained and wanting it again.”

And those words fundamentally sum up not just Broadway, but also the original purpose of theatre when it was born. That was in Athens in the 6th century BCE when the first actor, Thespis, stepped out of the chorus to tell his story. The Ancient Greeks knew that they were beholding something special, something vital to our way of life. They affirmed that theatre was created to entertain, to educate, and to exult the human spirit.

So, perhaps by creating Broadway again and again, we are reaching the broadest audience imaginable while engaging in important work. Perhaps, on Broadway we have the opportunity to plant the seeds of a new humanity… Thus, our love, passion, and enlightenment have a place to take root, sprout, be nourished, and flourish. Why Broadway? It’s a short question with an ever-deepening answer.

About Our Guest Author

Coni Koepfinger, a 2021 recipient of the Olwen Wymark Award by the Writers Guild of Great Britain, is currently playwright-in-residence at Manhattan Rep and has worked with the Unfringed Fest NYC, Broadway Bound Festival and Pan Asian Rep. Coni has connected hundreds through her virtual programs Airplay and Determined Women. She has been a member of the Dramatist Guild, the International Centre for Women Playwrights and the League Professional Theatre Women and currently sits as Media Advisory Board of the Lifeboat Foundation.

Ms. Koepfinger is also the author of the article Imagination and Beyond the Curtain, which may be found on Broadway Educators.

To read All Tickets Inc.’s Buzz Stream article on Live from the Bardo: My Dinner with Mary click here.

Coni Koepfinger and Dan Carter’s Live from the Bardo: My Dinner with Mary premieres January 13-30, 2022, at Theater for the New City, New York City. For more information, please follow this link.


Feds Cite Slumping Broadway Sales but League Notes Growth – Facts Behind Stats

by Paul Mroczka

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Determining what is happening on Broadway at any given time can be especially confusing. Snapshots are often offered as are summaries but there’s rarely a view that is panoramic, all-inclusive, or devised in a manner that provides an accurate idea about what is occurring over a length of time.

What we know about Broadway is that overall ticket prices continue to rise and that grosses also continue to rise. What do those two basic stats mean and what else do we know? Those may be the billion dollar questions.

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Bread and Circuses – Does This Describe the State of Broadway?

by Paul Mroczka

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Some of the greatest theatre in the world can be seen on the Broadway stage. Also, some of the worst theatre in the world can be seen on the Broadway stage. In addition, Broadway does not have a monopoly when it comes to quality theatre. You can find amazing theatrical experiences Off-Broadway, and across American in various regional, university, and summer theatres. Of course, that’s not to mention theatre in other countries where, often, theatrical experiences eclipse those on Broadway.

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The Arts and Education’s Powerful Potential Still Undervalued in US

by Paul Mroczka

Is this the only way to learn something important or useful?
Is this the only way to learn something important or useful?

As schools, colleges, and universities begin the new academic year, it’s a good time to consider the arts and their connection to education. Last year one apparently well-intentioned administrator decided that the arts needed to take a backseat. This occurred when Interim Principal of the Harley Avenue Elementary School in Elmwood, which is located on Long Island, cancelled the annual kindergarten variety show. Why was it shutdown?

This was done because an accumulation of snow days resulted in lost instructional time. Some at the school felt that the kindergarten students had more important things to do than to perform in a show. What was that? They had to prep for college exams.

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Bad Behavior by American Theatre Audiences is Nothing New

by Paul Mroczka

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Hand to God recently had an incident with an audience member.

So many reviewers, columnists, and performers are bemoaning the recent bad behavior of Broadway audiences. It’s as if having people in the audience who distract other audience members, upstage the show, and act in ways that detract from the live stage performance are something new. These actions are not. Such behavior is actually normal in the American theatre. If, somehow, you manage to not have anyone act inappropriately, then you truly have had a special live theatre experience.

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Broadway Musical Hamilton – Not about the Future, about the Now in America

by Paul Mroczka

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The new Lin-Manuel Miranda (In the Heights) musical Hamilton has garnered a lot of attention and praise. It almost immediately sold out its Off-Broadway run at the Public Theatre, was designated for transfer to Broadway just after it opened to five-star reviews, and now that it’s in previews on Broadway every celeb wants to be seen at what is considered to be a groundbreaking show.

Getting the obvious out of the way, this is a piece of musical theatre that is expertly crafted, directed, and performed. Miranda is a genius, and with director Thomas Kail, choreographer Andy Blankenbuehler, and musical director Alex Lacamoire, he’s created a theatrical piece that works on many different levels.

Past and Future Brought Together?

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Some pundits are saying that this musical is about the future of America. This is for a few reasons with one being that most of the leads, in stark contrast to our white founding fathers, are being played by men of color. In other words, this is a colorblind production and making it thus reveals the future of what our country can be.

However, more so and more importantly, the casting, which features superlative performances, is not just about what our country might be one day, but what it is now. This musical is a living paradigm of society today, where color lines in the eyes of many of those who are just being born and those who are in their late-twenties to early-thirties mean little to nothing when it comes to working together, falling in love, or creating lasting friendships.

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Where Is Broadway Headed and Do We Need To Do Something About It?

by Paul Mroczka

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Broadway is this amazing amalgam of shows, ticket prices, theatres, artists, producers, marketing and branding agents, and more. For the past 50 years or so there’s been a lot of concern as to where Broadway is going and what will happen to it. The fact is since the 1960s Broadway has fluctuated from periods of financial stability and growth to decline.

Whatever the case may be in the future, the fiscal, moral, artistic, and spiritual wellbeing of Broadway are all a part of the lives of every theatre professional, whether they are working on The Great White Way or involved in an independent, professional theatre in one of the 50 states. Here are some questions that everyone who is involved in the monetary aspect of the theatre needs to ask themselves and answer honestly.

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Tony Awards Tommy Tune Controversy and Other Broadcast Choices Raise Questions about Ceremony

by Paul Mroczka

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The coveted awards.

The 2015 Tony Awards, which will be broadcast live on CBS on June 7, are filled with controversy regarding which parts will be seen live and which will be only available via YouTube. At this point, Tommy Tune’s remarks regarding his Lifetime Achievement Award have been relegated to the Tony Awards YouTube channel. Creative awards, including those for Best Original Score, Best Book of a Musical, Scenic Design, Lighting Design, and others are given off air with clips of acceptance speeches shown to the live audience during commercial breaks and the full speeches available later on YouTube. The award for Best Play and Best Musical is not accepted by the writers of such, but by the producers.

Whose Awards Are These?

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The Tonys are a major production.

These decisions regarding which recipients are seen and which are not raises questions as to the reason for and intention of the Tony Awards. The awards are supposed to “celebrate excellence in Broadway theatre.” However, more and more they have become commercials for current and upcoming shows.

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The American Theatre Wing and The Broadway League: Dedicated to Different Goals?

by Paul Mroczka

The Wing champions American Theatre
The Wing champions American Theatre

The American Theatre Wing notes on its website, “In 2017, we will celebrate 100 years of service to the American Theatre. We have been tirelessly committed to championing and honoring American Theatre.” The Wing created and is responsible for the administration of the Tony Awards®. Each year in their effort to foster the American theatre, they present thousands of dollars in awards and grants and offer a wealth of educational programming. They are dedicated to preserving our theatrical past, celebrating its achievements, and fostering its future.

Controlling the Awards

Who chooses the Tony nominees?
Who chooses the Tony nominees?

An article published in the Huffington Post last week noted that often there are 50 people on the Tony nominating committee this year. That’s many more than even the recent past. As an example, in 2007-2008 there were 27 and last year 47. But each year various members of the committee elect to recuse themselves. Of the 50 who are on the committee this season, 11 will not participate. Someone will recuse him or herself if there is a conflict of interest or if they cannot see all of the shows on Broadway. This is the first year that the Tonys have defined when someone should be recused.

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The Cost of Doing Business on Broadway

by Paul Mroczka

An American in Paris on Broadway.
An American in Paris is Broadway at its best.

In 2011, the New York Times Arts Beat blog offered an article entitled “The Staggering Cost of Broadway.” In it, writer Patrick Healy referenced the revival of Harold Pinter’s Betrayal, a three-character drama that had recently been produced in London and was transferring to Broadway. In interviewing London producer Sonia Friedman about the hit production, it became clear exactly how costly it is to produce a play on Broadway.

Healy wrote, “This ‘Betrayal’ revival cost £350,000 (about $565,000) to mount in the West End, Ms. Friedman said, and an additional £65,000 ($105,000) to pay weekly running costs. By comparison, she estimates that the same production would cost about $2.8 million to mount on Broadway — the standard amount for a commercial play production — and an additional $260,000 or so to run each week.”

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Is the New Golden Age of American Theatre Beckoning?

by Paul Mroczka

Broadway was electric in its Golden Age.
Broadway was electric in its Golden Age.

The Golden Age of American Theatre is considered to have lasted about 40 years, depending upon how you define it. Starting sometime around 1915 and lasting until sometime in the late 1950s to early 1960s, it was a time that saw the Little Theatre Movement develop, the Harlem Renaissance bloom, Broadway houses multiply and then decline, and great works that defined the American theatre and made the rest of the world respect our dramatists, composers, and lyricists come into being. Broadway was the central focus of this period of stage enlightenment.

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On the Twentieth Century: Peter Gallagher Misses the Train Again

by Paul Mroczka

Gallagher will return soon.

Gallagher will return soon.

Peter Gallagher is still recovering from a serious sinus infection and that means that he was not seen on stage tonight in the revival of the Tony Award winning musical On the Twentieth Century. He is now expected to be on stage for the Saturday, March 7 evening performance. Gallagher has been out since the evening of February 21. The Roundabout cancelled the evening performance that night and the next day Gallagher’s understudy, James Moye, play the role of Oscar Jaffe. Moye, who usually plays Max Jacobs, has been filling in for Gallagher ever since, playing opposite Tony and Emmy winner Kristin Chenoweth (Lily Garland)

Postponements and Cancellations

On the Twentieth Century has already had numerous cancellations and postponements. The producers changed the first preview by one day due to setbacks caused by dismal winter weather. Then there was the cancellation of the Saturday night preview performance due to Gallagher’s illness and the need to offer Moye more rehearsal time. Recently, the Roundabout put off opening night, opting to offer the official opening on March 15 rather than March 13. The show is being performed at the American Airlines Theatre and it’s directed by Scott Ellis.

The Show

On the Twentieth Century, which was nominated for nine Tonys when it premiered in 1978, winning five, is a crazy comedy that takes place on a luxury train that’s named The Twentieth Century. The train is brimming with a wide range of unique and comical characters, including desperate Broadway producer Oscar Jaffe, former Broadway star and now film queen Lily Garland, Garland’s jealous and egotistical boyfriend, and a crazed but extremely benign religious zealot.

As the train travels along it’s predetermined destination, characters are side tracked and driven. The various characters collide to create mayhem, madness, and mischief. There are wonderful comic scenes, great gags and lines, and a lot of wonderful duets, solos, and production numbers.

The original production ofOn the Twentieth Century received five, including Best Book and Best Score. It was also nominated for four Drama Desk Awards, winning four including Outstanding Music.